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有着“摇滚变色龙”之称的大卫·鲍伊，对于上世纪七十年代之后的全球流行音乐界、电影界、时尚界有着深远的影响力。本片是2016年大卫·鲍伊去世后，唯一一部得到鲍伊家族合作的关于鲍伊的纪录片。曾执导过《珍》等优秀纪录片的导演布莱特·摩根在拍摄前获得授权，查阅了包括鲍伊的画作、素描、录音、照片、影片、日记等总计超过500万件的档案，力图还原出鲍伊在音乐、绘画、表演等方面的多元艺术风采，并以鲍伊的采访录音作为旁白，阐述他独特的人生观。片中有大量从未公开的演唱会片段，经过修复后在IMAX大银幕的效果，足以让所有乐迷振臂欢呼。。中国早期引进的科幻译制片（其实本质是个僵尸电影。。。） Two sisters, high school seniors in the early 1980s, awaken one morning to blood red skies and the realization that the human race has been wiped out. It becomes apparant that anyone who was not surrounded by steel when the Earth recently passed through the tail of Haley's comet has been reduced to a pile of red ash (the trace elements of human chemical makeup.) They encounter a rebellious Native American man and take over the air waves at a local radio station in an attempt to get help. Unfortunately, they attract the attention of a group of scientists who knew what the effects of the comet would be. They hid underground in a steel laboratory, but idiotically left the vents open. Now, as various survivors of the comet who were only partially surrounded by steel are decaying into flesh-hungry zombies, the scientists are attempting to come up with a vaccine made of the blood of people who were not infected by the comet. Thus the trio must fight their way past not only roving packs of the cannibalistic dead, but also outsmart a pack of scientists desperate not to become that way themselves.。